| abstract |
Abstract (AB-strakt)
art is not intended to look like something you could
recognize. You could think of looking at a representational painting
as looking through a window -- at something you can recognize
on the other side of the glass. An abstract painting,
however, wants you to look at the surface of the painting
(sort of like looking at the windowpane itself) -- at the colors,
shapes and patterns,
and perhaps the texture of the paint on the canvas. Works of
art can be more or less abstract. One can describe art that
is not completely abstract, but not realistic either, as abstracted. Representational
art that has been greatly simplified
is often described as stylized. |
 |
| amphora |
|
An amphora (AM-fuh-ruh)
is a type of large Greek vase that was used to store water, oil,
grain, etc. It has an oval-shaped body, a short neck,
and two handles for carrying and pouring. The ancient Greek
amphora shown here also has a round base or foot.
At
left: Attic Black-Figure Ovoid Neck- Amphora, made about
about 570 B.C., attributed to the Omaha Painter |
|
| ancient |
The
word ancient (AYN-shuhnt) can be used generally to describe
something that is very, very old. Or it can be used in a more
specific sense, referring to civilizations that existed many
hundreds
or thousands of years ago. Some examples of ancient civilizations
include those in China, Egypt, Greece, and Rome. |
|
| |
|
|
|
| Art
Deco |
Art
Deco (art DEH-ko) was a style of art, design, and architecture
popular in the 1920s and 30s. It featured simplified, stylized
forms and geometric designs. This
style was inspired by the streamlined designs for modern
industrial
things like cars, factories and airplanes, and was considered
cool and sophisticated. |
|
| capital |
|
A capital is
the top-most part of a column, pilaster, etc.
Capitals can be plain, but are often decorative, like the Thunderbird
capital on Joslyn's Memorial Building shown here.
at
left: Thunderbird capital, east entrance, Joslyn Art Museum |
|
| column |
columns,
east entrance
Joslyn
Art Museum |
A column is
a vertical pillar, often, but not always cylinder-shaped. Columns
often have a slight outward bulge toward the center. This outward
curve in the middle of a column is called entasis.
This bulge (you can see--it
is very subtle in the Joslyn entrance columns at left) makes
the column appear more solid. If the column were straight up
and down, it would actually appear to the eye to get thinner
in the middle. |
|
| composition |
Composition refers
to how things are arranged in a painting. An artist makes choices
about the placement of lines, shapes, color, and so on, in order
to
achieve
a composition with a certain
overall effect. |
|
| |
|
|
|
| detail |
A detail is
a small section of an artwork which has been enlarged in order
to be able to see it more clearly. |
|
| fresco |

Master
of Barluenga
Spanish, 13th Century
St. John on Patmos, c. 1285
fresco transferred to canvas
53 x 43 inches Check out the Pilgrimage Art Pack to learn more about this work
of art. | There are
two main categories of fresco painting. In
what is called true fresco (buon fresco in
Italian), plaster is spread onto a flat wall.
The artist paints directly onto this plaster while it is still
wet. In order to do this, the artwork must be carefully planned
out. As the plaster dries, the pigment is
absorbed into it, and the painting becomes a permanent part
of the wall. In dry fresco (fresco secco), paint is
applied to plaster that is already dry. Sometimes the two techniques are
used together on the same painting, for example, the bigger
areas are painted in true fresco, and the tiny details added
after the plaster has dried.
|
|
| At
Joslyn you can see a real medieval fresco,
on view in in Gallery 1. It was made in the fresco secco technique.
This fresco was once part of a larger scene decorating the walls
of a small church in northern Spain. You may imagine it was quite
a painstaking job to remove this fresco and attach it to canvas. |
| motif |
A motif (mo-TEEF)
is an element or theme repeated throughout a work of art, architecture,
music, or literature. |
|
| netsuke |
|
Netsukes (NET-suh-kee)
or (NET-skee) are small Japanese carvings, usually of wood or
ivory, often made in the shape of animals. Now collected as art
objects, their original function was to anchor the cord that
held an inro, a small container worn on the belt of a kimono,
a traditional Japanese robe.
at
left: Fox Priest netsuke, signed by Shokyusai |
|
| |
|
|
|
| portrait |

Greenhow Family Children
painted
about 1810,
Artist unknown
See
more portraits at Joslyn Art Museum. |
A portrait (POUR-truht)
is an artwork that shows the likeness of a person. Portraits
can portray individuals or groups of people, such as families.
They can be 2-dimensional, such as a painting, or 3-dimensional,
in the case of a sculpture or relief carving.
Often, in
addition to showing how a person looks, a portrait will reveal
something about the subject's character and life story, for
example, a personal quality, a favorite hobby, or a major event
in their life. |
|
| quarry |
A quarry is
a place where a particular kind of stone (such as marble) is
obtained, or quarried. Quarries are sometimes pits that
are dug in the ground, or they can be on a hillside or mountainside. |
|
| realism |
People
use the word realism in a general
sense to describe art that imitates how things look in "real
life." Realism (capital "R") refers to
a period of art during the 19th century (1800s) when artists
attempted to paint the world exactly as they
saw it. Realist painters also painted everyday subject
matter, as opposed to heroic or mythic subjects. |
|
| Renaissance |
The
Renaissance was
a period of many artistic innovations in
Europe, beginning in Italy. During this time, scholars, artists,
writers
and other
individuals were
especially interested in reviving aspects of classical Greece
and Rome. The Renaissance lasted approximately 200 years, from
the 15th century ( 1400s) to the 16th century (1500s). Joslyn's
artworks from the Renaissance are on view in Gallery
1. |
|
| representational
art |
Representational
art (also called figurative art) is art which depicts
things, places, and people -- subject matter from the visible
world.
It is
the opposite of non-objective (also called abstract)
art.
|
|
| rhythm |
Rhythm
in music is the tempo (timing) or beat. There is also
rhythm in visual art, which you can see rather than hear. Repetition
of forms, patterns, lines, colors can give you a sense of visual
rhythm. How elements of an artwork are placed in the artist's
composition, how far apart, how often they repeat, what
kinds of patterns they
create,
all give an artwork a sense of rhythm. |
|
| stylized |
|
| symbol |
A symbol is
an object or mark that stands for something else. Artists frequently
use symbols to communicate various messages in their artworks.
By decoding the symbols in an artwork, you can reveal important
layers of meaning. |
|
| tondo |
|
A tondo (TAWN-doh)
is a circular painting. It was a popular shape for paintings
during the Renaissance, during which
time there was increased interest in geometry.
As a perfect shape, the circle was considered, during Renaissance
time, a symbol of God's perfection.
at
left: Madonna and Child with the Infant St. John and Two
Angels, painted about 1490, Lorenzo di Credi |
|
| |
|
|
|

We
intend to expand this illustrated art glossary as time permits
- and as the rest of the Kid Connection website grows.
Suggestions? Comments?
Please email me at: theo@joslyn.org.
|
|
|
 |
|
|
|